While their ideas are huge and they consistently prove they have the talent to back them up, the band maintains the grounded MO that has served them so well over the years, with the results speaking for themselves. Ensiferum likes to throw new ideas around all the time, and somehow they’re still on autopilot. A luxuriant smorgasbord of Neurosis-esque post-metal songs inspired by delicious sandwiches If they can get back to writing full albums’ worth of “King of Storms”-level excellent tracks, they’ll find themselves back at their rightful place at the top, but as of right now, they’re has-beens. Taking some time to observe the ongoing world of folk metal around them, the almost punk-infused “Don’t You Say” and the accordion steeped cruiser “God Is Dead” are all but dead-ringers for Alestorm brand of happy-go-lucky tomfoolery at the pub. But the greatest segment on the whole album comes in the shape of the 4: Witty and raucous as ever, the Chicago noise-rockers rip into “flat earthers” and “tween shitbags” with misanthropic glee.
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Sure, but many of the other sections scattered throughout this album are fairly nondescript. The production quality Ensiferum have pursued over the years has certainly given them a unique timbre, but Two Paths pushes that crisp, metallic clamour to an almost irritating point — especially with the overly-loud snare which just becomes intrusive.
A luxuriant smorgasbord of Neurosis-esque post-metal songs inspired by delicious sandwiches For Those About to Fight for Metal Write your own review. This album contains a lot of good and a lot of not-so-good. I wish there was a better way to describe it but there really isn’t. Feast with Valkyries Way of the Warrior Two Paths is still far away from the band’s genre-defining first two studio albums but it’s clearly better than the last two efforts.
After the disappointing One Man Army, Ensiferum delivers a quite entertaining and focused record. The band is so frustrating at this juncture because I don’t really know what I want them to do in order to make them as good as they were on the first three albums again.
Whether it’s the breakneck, ultra-catchy thrashings of “For Those About To Fight For Metal” or “King Of Storms”, the crunchy stomp of “I Will Never Kneel” or the surging thunder of the title track, they never fail to grip, and when they slow things down – as pahhs the cinematic “Hail To The Victor” – they somehow manage to sound even bigger. Best viewed without Internet Explorer, in x resolution or higher.
And at that, not even all of them? I find myself at something of a loss for words when it comes to this album, because most of my criticisms can just eniferum accurately summed up by gesturing towards the speakers and saying “you see what I mean?
Ensiferum – Two Paths Review
The most extreme left-turn in direction is the thrasher endiferum Of Storms”, which sees Ensiferum trying to channel the high octane majesty of Iron and making an impressive show of it, though Petri Lindroos’ more limited array of shouts and shrieks doesn’t quite match the formidable versatility that Jari exhibited with this band back in Taking some time to observe the ongoing world of folk metal around them, the almost punk-infused “Don’t You Say” and the accordion steeped cruiser “God Ensifwrum Dead” are all but dead-ringers for Alestorm brand of happy-go-lucky tomfoolery at the pub.
There is very little fundamental difference between the more traditional songs here and the stuff they used to do in the early s when they were on top of the world, but what was once invigorating and exhilarating is now rote and played out.
Despite mostly having good things to say about the album so far awful vocals asidethis still lands as a disappointment, and it’s simply because even the best songs here pale in comparison to the best songs they’ve done before. When it comes to capturing an epic feel, Ensiferum has a habit of going for broke.
Ensiferum – Two Paths Review | Angry Metal Guy
So along comes and with it comes their seventh album, Two Pathsand the new idea this time is “let’s let members who can’t sing handle the vocals this time. Poppel Yang go to album. Built on bludgeoned blues and filled with low-rent hedonism, this rarities compilation is party music for burnouts. The rest of the songs range from “really dull” to “really stupid”.
There’s really no way to describe these vocals other than “somebody who can’t sing”, because that’s ensiffrum it really is. This is not a dark-twisted Vivaldi, but an act of exorcism of Wagnerian proportions.
This song defines what Eluveitie should sound like instead of releasing a vapid acoustic record. But the greatest segment on the whole album comes in the shape of the 4: King of Storms Bands alphabetical country genre Labels alphabetical country Reviews R. However, this opinion won’t be unanimous because the record doesn’t include one of the band’s usual elaborate epics, limits the use of Petri Lindroos’ harsh vocals and sounds at times close to folk bands with controversial reputations such as Alestorm, Eluveitie and Turisas.
BastardHeadAugust 9th, To be clear, playing it safe by playing to the crowd is not something that necessarily comes to a bad result, and this album actually proves to be quite an entertaining romp. And it’s a real damn shame because almost nobody could touch them in their prime.